In the past Hangzhou, there were lots of entertainment spaces and private clubs around the West Lake, today, with the development of counter-urbanisation, some of them have been renovated and opened again. It became the biggest challenge in this project that how to balance commerce and the excellent natural location.

过去的杭州，围绕西湖，散落着许多招待空间及私人会所，随着逆城市化建设的发展，越来越多的类似空间被修缮并且对外开放。而如何平衡商业与绝佳的自然区位成为这个项目中最大的挑战。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design

中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成

Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design

中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The sink of restroom is made by whole stone material, with the entry door knob, both echoing the basic shape of the design, rectangle and circle.

卫生间的的洗手盆由整块石材方料切割而成，和门把手一样呼应了空间中的基本元素——方和圆。

‘Little fireplace’ on the entrance wall serves an ashtray for smokers, while the bottom metal drawer is easy to clean.

入口处的“小壁炉”是为吸烟者提供的烟灰缸，同时在底部设置了金属抽屉方便清洁。

In the past Hangzhou, there were lots of entertainment spaces and private clubs around the West Lake, today, with the development of counter-urbanisation, some of them have been renovated and opened again. It became the biggest challenge in this project that how to balance commerce and the excellent natural location.

过去的杭州，围绕西湖，散落着许多招待空间及私人会所，随着逆城市化建设的发展，越来越多的类似空间被修缮并且对外开放。而如何平衡商业与绝佳的自然区位成为这个项目中最大的挑战。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design

中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成

Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design

中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The sink of restroom is made by whole stone material, with the entry door knob, both echoing the basic shape of the design, rectangle and circle.

卫生间的的洗手盆由整块石材方料切割而成，和门把手一样呼应了空间中的基本元素——方和圆。

‘Little fireplace’ on the entrance wall serves an ashtray for smokers, while the bottom metal drawer is easy to clean.

入口处的“小壁炉”是为吸烟者提供的烟灰缸，同时在底部设置了金属抽屉方便清洁。

In the past Hangzhou, there were lots of entertainment spaces and private clubs around the West Lake, today, with the development of counter-urbanisation, some of them have been renovated and opened again. It became the biggest challenge in this project that how to balance commerce and the excellent natural location.

过去的杭州，围绕西湖，散落着许多招待空间及私人会所，随着逆城市化建设的发展，越来越多的类似空间被修缮并且对外开放。而如何平衡商业与绝佳的自然区位成为这个项目中最大的挑战。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design

中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成

Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design

中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The sink of restroom is made by whole stone material, with the entry door knob, both echoing the basic shape of the design, rectangle and circle.

卫生间的的洗手盆由整块石材方料切割而成，和门把手一样呼应了空间中的基本元素——方和圆。

‘Little fireplace’ on the entrance wall serves an ashtray for smokers, while the bottom metal drawer is easy to clean.

入口处的“小壁炉”是为吸烟者提供的烟灰缸，同时在底部设置了金属抽屉方便清洁。

In the past Hangzhou, there were lots of entertainment spaces and private clubs around the West Lake, today, with the development of counter-urbanisation, some of them have been renovated and opened again. It became the biggest challenge in this project that how to balance commerce and the excellent natural location.

过去的杭州，围绕西湖，散落着许多招待空间及私人会所，随着逆城市化建设的发展，越来越多的类似空间被修缮并且对外开放。而如何平衡商业与绝佳的自然区位成为这个项目中最大的挑战。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design

中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成

Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design

中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The sink of restroom is made by whole stone material, with the entry door knob, both echoing the basic shape of the design, rectangle and circle.

卫生间的的洗手盆由整块石材方料切割而成，和门把手一样呼应了空间中的基本元素——方和圆。

‘Little fireplace’ on the entrance wall serves an ashtray for smokers, while the bottom metal drawer is easy to clean.

入口处的“小壁炉”是为吸烟者提供的烟灰缸，同时在底部设置了金属抽屉方便清洁。

In the past Hangzhou, there were lots of entertainment spaces and private clubs around the West Lake, today, with the development of counter-urbanisation, some of them have been renovated and opened again. It became the biggest challenge in this project that how to balance commerce and the excellent natural location.

过去的杭州，围绕西湖，散落着许多招待空间及私人会所，随着逆城市化建设的发展，越来越多的类似空间被修缮并且对外开放。而如何平衡商业与绝佳的自然区位成为这个项目中最大的挑战。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design

中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成

Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design

中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The sink of restroom is made by whole stone material, with the entry door knob, both echoing the basic shape of the design, rectangle and circle.

卫生间的的洗手盆由整块石材方料切割而成，和门把手一样呼应了空间中的基本元素——方和圆。

‘Little fireplace’ on the entrance wall serves an ashtray for smokers, while the bottom metal drawer is easy to clean.

入口处的“小壁炉”是为吸烟者提供的烟灰缸，同时在底部设置了金属抽屉方便清洁。

In the past Hangzhou, there were lots of entertainment spaces and private clubs around the West Lake, today, with the development of counter-urbanisation, some of them have been renovated and opened again. It became the biggest challenge in this project that how to balance commerce and the excellent natural location.

过去的杭州，围绕西湖，散落着许多招待空间及私人会所，随着逆城市化建设的发展，越来越多的类似空间被修缮并且对外开放。而如何平衡商业与绝佳的自然区位成为这个项目中最大的挑战。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design

中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成

Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design

中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The sink of restroom is made by whole stone material, with the entry door knob, both echoing the basic shape of the design, rectangle and circle.

卫生间的的洗手盆由整块石材方料切割而成，和门把手一样呼应了空间中的基本元素——方和圆。

‘Little fireplace’ on the entrance wall serves an ashtray for smokers, while the bottom metal drawer is easy to clean.

入口处的“小壁炉”是为吸烟者提供的烟灰缸，同时在底部设置了金属抽屉方便清洁。

In the past Hangzhou, there were lots of entertainment spaces and private clubs around the West Lake, today, with the development of counter-urbanisation, some of them have been renovated and opened again. It became the biggest challenge in this project that how to balance commerce and the excellent natural location.

过去的杭州，围绕西湖，散落着许多招待空间及私人会所，随着逆城市化建设的发展，越来越多的类似空间被修缮并且对外开放。而如何平衡商业与绝佳的自然区位成为这个项目中最大的挑战。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design

中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成

Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design

中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The sink of restroom is made by whole stone material, with the entry door knob, both echoing the basic shape of the design, rectangle and circle.

卫生间的的洗手盆由整块石材方料切割而成，和门把手一样呼应了空间中的基本元素——方和圆。

‘Little fireplace’ on the entrance wall serves an ashtray for smokers, while the bottom metal drawer is easy to clean.

入口处的“小壁炉”是为吸烟者提供的烟灰缸，同时在底部设置了金属抽屉方便清洁。

In the past Hangzhou, there were lots of entertainment spaces and private clubs around the West Lake, today, with the development of counter-urbanisation, some of them have been renovated and opened again. It became the biggest challenge in this project that how to balance commerce and the excellent natural location.

过去的杭州，围绕西湖，散落着许多招待空间及私人会所，随着逆城市化建设的发展，越来越多的类似空间被修缮并且对外开放。而如何平衡商业与绝佳的自然区位成为这个项目中最大的挑战。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design

中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成

Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design

中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The sink of restroom is made by whole stone material, with the entry door knob, both echoing the basic shape of the design, rectangle and circle.

卫生间的的洗手盆由整块石材方料切割而成，和门把手一样呼应了空间中的基本元素——方和圆。

‘Little fireplace’ on the entrance wall serves an ashtray for smokers, while the bottom metal drawer is easy to clean.

入口处的“小壁炉”是为吸烟者提供的烟灰缸，同时在底部设置了金属抽屉方便清洁。

In the past Hangzhou, there were lots of entertainment spaces and private clubs around the West Lake, today, with the development of counter-urbanisation, some of them have been renovated and opened again. It became the biggest challenge in this project that how to balance commerce and the excellent natural location.

过去的杭州，围绕西湖，散落着许多招待空间及私人会所，随着逆城市化建设的发展，越来越多的类似空间被修缮并且对外开放。而如何平衡商业与绝佳的自然区位成为这个项目中最大的挑战。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design

中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成

Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design

中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The sink of restroom is made by whole stone material, with the entry door knob, both echoing the basic shape of the design, rectangle and circle.

卫生间的的洗手盆由整块石材方料切割而成，和门把手一样呼应了空间中的基本元素——方和圆。

‘Little fireplace’ on the entrance wall serves an ashtray for smokers, while the bottom metal drawer is easy to clean.

入口处的“小壁炉”是为吸烟者提供的烟灰缸，同时在底部设置了金属抽屉方便清洁。

In the past Hangzhou, there were lots of entertainment spaces and private clubs around the West Lake, today, with the development of counter-urbanisation, some of them have been renovated and opened again. It became the biggest challenge in this project that how to balance commerce and the excellent natural location.

过去的杭州，围绕西湖，散落着许多招待空间及私人会所，随着逆城市化建设的发展，越来越多的类似空间被修缮并且对外开放。而如何平衡商业与绝佳的自然区位成为这个项目中最大的挑战。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

The plan was generated from two circle and one rectangle, the center of the circles aligned in the center of the space creating a symmetrical design. The courtyard landscape was realized with French pine, benches and bushes, friendly allowing visitors to stay, talk and relax. The axle of the courtyard was rotated by 30 degrees, leading to the storefront window, and then, one shall enter the Parlor. Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design. Jewelleries replaced people became the owner in the space.

其平面由两个正圆和一个方形构成，圆的中心与空间中心对齐且对称。不同于许多私密的庭院，开放式的入口，四季常青的法国松，友好的长凳都会让城市的居民或是来往的游客在外厅停留、交谈和休憩。而Say特地将外厅轴线偏转30度，流线自然将人们引导至橱窗，从而进入中厅。中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成。

Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design

中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成

Tables, chairs, shelves, fireplace were arranged in the Parlor as it was the main social space in the design

中厅和多数会客厅一样，由桌、椅、几、架、壁炉等元素组成

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The opening in the center of the parlor led to the Chamber, the ending space of the tri-layer design. Inspired by Villa Rotunda designed by Palladio, the chamber, constructed with eggshell sandstone, reflective ceiling and floor, serves as a spatial hub, not only hiding the shear wall, but also connecting the counter, warehouse, restroom and fitting room. The Chamber space is a tranquil and elegant ending of the route as we hope it forms an intimate and private atmosphere.

中厅顺着轴线往里走，到达的是里厅——三进式空间的底端。受帕拉迪奥的圆厅别墅启发，砂岩理石围合的整个内厅成为了空间枢纽，不仅隐藏了承重墙，也连接了水吧台、仓库、卫生间及试衣间，灯光在高反射的天花和地面间来回映射，不失趣味。里厅作为整个空间的终点，不仅可以顺承了整个设计的古典对称，同时营造出亲密且私人的氛围。

The sink of restroom is made by whole stone material, with the entry door knob, both echoing the basic shape of the design, rectangle and circle.

卫生间的的洗手盆由整块石材方料切割而成，和门把手一样呼应了空间中的基本元素——方和圆。

‘Little fireplace’ on the entrance wall serves an ashtray for smokers, while the bottom metal drawer is easy to clean.

入口处的“小壁炉”是为吸烟者提供的烟灰缸，同时在底部设置了金属抽屉方便清洁。

Frosted resin appears translucent. The reflective resin floor and mirrored stainless steel tell rationally what the space is. Both frosted glass are “floating” onto the window sill by 12 exclusively designed hardware, which not only isolated the real world, but also brings soft light. As the medium of emotional expression in this space, material appears objective and secondary.

喷砂树脂呈现半透明的状态，使原本具象事物不再明显；高反射的树脂地面和镜面不锈钢不带感情地交代了空间的状态。两面磨砂玻璃通过特制的12个金属件“漂浮”固定在窗台上，不仅阻挡了现实世界，同时引入了柔和的光线。材质作为该空间情感表达的媒介，变得客观且次要。

Say uses red and blue blocks to represent displayed goods on watercolor paper, and uses ice to represent time. In space, products will disappear with the melting of ice, just like trends and people’s aesthetics are always flowing.

水彩纸上红蓝色块代表空间中陈列的商品，冰块代表时间，随着冰块慢慢融化，具象的色块化作一抹颜色永久的留在纸上，就好像日益更新的时尚产业，每天都有新的作品和创意产生，但随时间终将成为记忆里的一个轮廓，能被人想起的，往往是留存在记忆里一个符号、气味或是模糊的颜色。

Frosted glass are “floating” onto the window sill by 12 exclusively designed hardware

两面磨砂玻璃通过特制的12个金属件“漂浮”固定在窗台上

Frosted glass are “floating” onto the window sill by 12 exclusively designed hardware

两面磨砂玻璃通过特制的12个金属件“漂浮”固定在窗台上

Frosted resin appears translucent. The reflective resin floor and mirrored stainless steel tell rationally what the space is. Both frosted glass are “floating” onto the window sill by 12 exclusively designed hardware, which not only isolated the real world, but also brings soft light. As the medium of emotional expression in this space, material appears objective and secondary.

喷砂树脂呈现半透明的状态，使原本具象事物不再明显；高反射的树脂地面和镜面不锈钢不带感情地交代了空间的状态。两面磨砂玻璃通过特制的12个金属件“漂浮”固定在窗台上，不仅阻挡了现实世界，同时引入了柔和的光线。材质作为该空间情感表达的媒介，变得客观且次要。

Frosted glass are “floating” onto the window sill by 12 exclusively designed hardware

两面磨砂玻璃通过特制的12个金属件“漂浮”固定在窗台上

Space and products, representation and abstract, reality and memory, nature and isolation, all kinds of seemingly competing but balanced relationships are interwoven in Lika Lab, which is also new experience that Say hopes to bring to consumers.

空间与产品、具象与抽象、现实与记忆，自然与封闭，种种看似抗衡却又相互平衡的关系在Lika Lab中得到互相交织，也是Say希望给消费者带来的全新体验。

Space and products, representation and abstract, reality and memory, nature and isolation, all kinds of seemingly competing but balanced relationships are interwoven in Lika Lab, which is also new experience that Say hopes to bring to consumers.

空间与产品、具象与抽象、现实与记忆，自然与封闭，种种看似抗衡却又相互平衡的关系在Lika Lab中得到互相交织，也是Say希望给消费者带来的全新体验。

The structure layout matches the direction ofboth roads, creating a stronger anchor feeling. Ones view would go straightover the conference table and reaching for the end of Pinghai Road once in thespace.

场地原有的井字梁结构的两个方向与窗外两条道路的方向一致，更加强了场地的位置感受。进入展厅后视线越过会议桌与水吧台延展至平海路尽头。

The view towards north reaches ZhongHe ElevatedRoad and stretch to afar. The free standing furniture within the space are alldesigned to be under view height, leaving a clean horizontal view.

展厅内向北看去视线又透过几个层次延展至中河高架。空间内独立的展示台和办公桌椅均被设计在同一高度，保留了横向展开的城市景观的连续性。

The parquet was layout in a grid pattern whichmatches the ceiling slab structure.

同时将原有两栋三层建筑的一层打通，形成一个通畅开放的首层公共空间，这个公共空间与独立的小房间一同赋予了littlenap一种灵活性。展厅地面木地板采用田字铺设，和楼板结构形成了一定的对应

We integrated the exhibition part with theshowroom design, expresses the character of products while keeping the spaceunify and clean.

我们对于展品的展示方式进行了简化，强调出展品本身的特点，同时让展示部分与展厅空间设计融合在一起。

We integrated the exhibition part with theshowroom design, expresses the character of products while keeping the spaceunify and clean.

我们对于展品的展示方式进行了简化，强调出展品本身的特点，同时让展示部分与展厅空间设计融合在一起。

Four pivot doors were put in the middle of thespace, they could create a soft division between the showroom and open workingspace.

展厅中央有四扇中轴转门，对展厅内展示接待和开放办公做了一定的柔性分割，同时在门打开时也并不影响视线贯穿。

The existing slab structure gives the spacean invisible module, the pivot doors layout matches with the module.

原有楼板的井字梁结构给场地设置了一个隐形的模数，中轴转门的位置设置也与楼板分割一致

Entering the office area, the basic tonewas set to be white, different from the dark tone in showroom.

穿过展厅进入办公区，办公区采用大面积白色，与展厅在材质色彩上做了一定的区分

Like grid lines goes towards eachdirection, the structure beam shows a connection between the showroom andcityscape.

原有井字梁结构如同一条条辐射各个方向的轴线，展开了展厅空间和城市之间的联系。

Littlenap is located inside the Xihu scenic area, it is a renovation of an existing residential building. The existing building have two three story building adjacent to one another and a individual room on the side. We decided to make the individual room separated from normal hostel program wise, and become a flexible space with possibilities.

Littlenap里奈九溪位于杭州西湖九溪景区，是对景区内原有住宅的改造。原有建筑包括了两栋紧邻的三层建筑以及一个单独的小房间，第一次查看现场，我们就和甲方共同决定，将单独的小房间从功能上与普通民宿区别开，使他成为一个具有多种可能性的空间。

The existing building have two three story building adjacent to one another and a individual room on the side. We decided to make the individual room separated from normal hostel program wise, and become a flexible space with possibilities.

原有建筑包括了两栋紧邻的三层建筑以及一个单独的小房间，第一次查看现场，我们就和甲方共同决定，将单独的小房间从功能上与普通民宿区别开，使他成为一个具有多种可能性的空间，